Sunday, September 24, 2006

Do your characters feel pain?

A terrific essay about bodily sensations and how often writers seem to forget them. Your characters see, hear, and occasionally taste or smell something, but what do they feel in their bodies?

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Riordan opened his eyes to pain and fire and blackness. The fire lived under his skin, burning him up from the inside; the pain was a knife sawing at his joints and a mallet pounding behind his eyes. Darkness pressed smothering hands against his face and shivers broke over his flesh like combers sweeping a cold shore.

A monstrous thirst tormented him. He would have happily guzzled down the river itself, but the stone where he lay was dry.


With the vague feeling that he'd done this several times already, he groped for the waterskin attached to his belt. Its sides were collapsed and empty as a month-old carcass. His parched tongue quested out and licked at the stone. It was gritty and tasted slightly of salt. Where were the icy droplets he'd seen at the junction, the rivulets that ran like sweat into stony creases? Where was the river itself? He couldn't remember.


Something warm and wet swiped his ear. He moaned, almost weeping because his tongue could not curl around and reach that luscious patch of dampness. He lifted a trembling hand to touch it, to capture what moisture he could. His fingers encountered a puff of hot breath. An ecstatic whine sounded in his ear and the wet tongue washed his cheek in earnest.

Skah.

The hound circled Riordan, nails clicking and scratching on stone, breaking the intense silence. How had Skah gotten free? What had happened?

It took tremendous discipline to force his mind to recall, when it had no interest in anything but finding something to drink and burrowing back into pain-free oblivion. But gradually the memories came into focus: he had left the stone river, and through darkness and exhausting toil, found his way here. Wherever here was. The walls had fallen away from his searching fingers and then the elusive spark deep in his soul flared into a white inferno.

He remembered nothing after that except an endless drifting in and out of consciousness. Intense thirst had driven him to drain the waterskin, and still the fire raged. It was obvious that something had gone very wrong inside of him. In his more lucid moments he thought perhaps he'd picked up some contagion in the filthy Keldian cell and carried it here, hidden in the folds of his garments until it found its moment to strike. Other times, when dreams fluttered in and out of his thoughts like moths with wings afire, he imagined that all the pent-up power of the river had blown free somehow, slinging off wild flamelets to light where they would. One had found dry tinder inside him, and now it was killing him.


(from The Knife-Giver, ch. 49, "Fire in the Dark")

6 comments:

December Quinn said...

I always forget smells. My characters usually have lots of physical sensations but they never smell anything. :-)

writtenwyrdd said...

That quote is an excellent example. Thanks for sharing.

I don't forget smells, or touch, but the actual bodily sensations aren't something to which I have ever given that level of detail.

Lori Benon said...

Hi Beth,

I'm writing from my mom's on the east coast (MD). I was reading through your thread on writing routine on the forum, and wanted to respond, but can't remember my darn password to log in! LOL. Just wanted to say I do identify with what you're going through, and am experiencing it a little myself. Haven't made much progress with KINDRED in the past few weeks, aside from editing. Spinning wheels sums up how I've begun to feel. Having to make an unexpected trip across the country doesn't help, but even before that....

I hope Deborah's suggestion helps. I'm currently doing this for a published writer friend of mine who has been having similar problems keeping on track with her latest manuscript. It seems to happen to many writers, for any number of reasons.

Anyway, I, for one, find your writing an inspiration. I'm rooting (and praying) for you.

Lori Benton

Beth said...

Lori,

Good to see you! I'm sorry to hear you're stalled, too, but we'll get through it. Thanks for stopping by, and for the prayers. :)

Lori Benton said...

Beth,

I've really wanted to jump into the forum thread about chemo/meno-fog. Just another voice saying, "been there, getting through it, still have days/weeks of it, but it's getting better."

Deb and Lauri said it better than ever I could, though.

And the issue of regrets... I'm in MD for my grandmother's passing. She went Home on 9/23 after a decade of decline with Alzheimers. So, that issue of time/regret is on the front burner with me.

I like your recent posts here. I also found that article on characters' bodily sensation helpful. I like your post on light, too. Smells, light, temperature, physical sensations, are some of the best ways to ground a reader in a scene, and make that scene live. I think it also gives the illusion* of character depth. If you are so inside that character's body that you smell and feel what she/he does, it can't help but make them feel real to the reader.

And, it's always a treat to read a KG excerpt!

*not sure "illusion" is the right word here, but then, all writing is in a sense illusion, isn't it? *s*

Lori

Beth said...

Lori,

I'm so sorry about your grandmother. My husband's grandmother died of Alzheimer's and I remember too well the slow, painful decline that preceded her death. My sympathies and prayers to you and your family.